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Alfred Sisley Orchard in Sping-By oil painting


Orchard in Sping-By
Painting ID::  27249
Alfred Sisley
Orchard in Sping-By
mk55 1881 Oil on canvas 54x72cm Museum Boymans-van Beuningen,Rotterdam

   
   
     

Alfred Sisley Small Meadows in Spring-By oil painting


Small Meadows in Spring-By
Painting ID::  27250
Alfred Sisley
Small Meadows in Spring-By
mk55 c.1881 Oil on canvas 54x73cm National Gallery,London

   
   
     

Alfred Sisley Matrat s Boatyard,Moret-sur-Loing oil painting


Matrat s Boatyard,Moret-sur-Loing
Painting ID::  27251
Alfred Sisley
Matrat s Boatyard,Moret-sur-Loing
mk55 c.1883 Oil on canvas 38x55cm Musee departementale de i Oise,Beauvais

   
   
     

Alfred Sisley The Canal du Loing at St-Mammes oil painting


The Canal du Loing at St-Mammes
Painting ID::  27252
Alfred Sisley
The Canal du Loing at St-Mammes
mk55 1885 Oil on canvas 74.9x93.3cm Philadelphia Museum of Art,Philadelphia,PA

   
   
     

Alfred Sisley Courtyard of Farm at St-Mammes oil painting


Courtyard of Farm at St-Mammes
Painting ID::  27253
Alfred Sisley
Courtyard of Farm at St-Mammes
mk55 1884 Oil on canvas 73.5x93cm Musee d Orsay,Paris

   
   
     

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     Alfred Sisley
     French 1839-1899 Alfred Sisley Galleries Alfred Sisley (October 30, 1839 ?C January 29, 1899) was an English Impressionist landscape painter who was born and spent most of his life in France. Sisley is recognized as perhaps the most consistent of the Impressionists, never deviating into figure painting or finding that the movement did not fulfill his artistic needs. Sisley was born in Paris to affluent English parents; William Sisley was in the silk business, and his mother Felicia Sell was a cultivated music connoisseur. At the age of 18, Sisley was sent to London to study for a career in business, but he abandoned it after four years and returned to Paris. Beginning in 1862 he studied at the atelier of Swiss artist Marc-Charles-Gabriel Gleyre, where he became acquainted with Fr??d??ric Bazille, Claude Monet, and Pierre-Auguste Renoir. Together they would paint landscapes en plein air (in the open air) in order to realistically capture the transient effects of sunlight. This approach, innovative at the time, resulted in paintings more colorful and more broadly painted than the public was accustomed to seeing. Consequently, Sisley and his friends initially had few opportunities to exhibit or sell their work. Unlike some of his fellow students who suffered financial hardships, Sisley received an allowance from his father??until 1870, after which time he became increasingly poor. Sisley's student works are lost. His earliest known work, Lane near a Small Town is believed to have been painted around 1864. His first landscape paintings are sombre, coloured with dark browns, greens, and pale blues. They were often executed at Marly and Saint-Cloud.

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     | Giovanni Lorenzo Bernini | Adrian Vanson | PALAGI, Pelagio |


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